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These archive versions of The Session are posted as initially published. Deadlines, contacts and links have not been updated. Please keep this in mind when using this resource. In some cases, updates can be found in a more recent edition of The Session.

August 2003

Office News...

Fall Hours: In September, we will resume regular hours of 9 am to noon, and 1 to 5 pm, Monday to Friday. Please do call ahead if you are dropping by, as we are short staffed or in meetings from time to time.

We thank Crystal Fetter from the bottom of our hearts for volunteering a ton of hours throughout June and July - in the SRIA office, as well as at the Flatland Music Festival. Crystal is a third year university student studying film. She has also taken on the position of Volunteer Coordinator with the Western Canadian Music Awards for this year!

Stephanie Thomson was hired for the CanSask Program position we posted back in June (a government-funded initiative). Stephanie was one of the registered candidates they provided for interviews; she's a long time SRIA member and active performer. She's been a great help with Flatland cleanup, data collection and assorted jobs. We hope to be able to retain her on a casual basis after her contract ends this month.

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The Eighth Annual Flatland Music Festival July 4-6 Victoria Park, Regina

Our eighth year was a real test of willpower and financial planning. But when it came down to it, we rocked!

Good stuff:
Musically, it was probably our best festival ever. And of course, that's the most important thing! From very new bands to the well established, there were plenty of cool moments. We heard 29 hours of music with 38 performances...if you're curious, that's up from last year. We took a deep breath and programmed only "really local" artists for headliners. Guess what? We were so impressed! Not only did Sweetsalt, Stepchyle, Into Eternity and Shifty Morgan kick butt, but we estimate we had the largest Saturday night crowd ever.

We've enclosed a festival program. We had a couple of late changes that you should note: "Danny Balkwill with Morgan & Joel" was actually just Morgan & Joel, as Danny progressed to a further round of the Canadian Idol competitions and had to be in Toronto; Morally Sound and the Nancy Ray-Guns traded places on Sunday...due to some vehicle problems, MS was briefly stranded on the way to the gig. All ended well though, with both bands putting on stellar performances despite the shake-up. La Raquette a Claquettes had to pull out and were replaced by Regina's Jean Bilodeau.

The addition of members of the Regina Symphony Orchestra, who performed during the Shriners' Pancake Breakfast on Sunday morning, was truly beautiful. Even though the skies were grey, windy and spewed the occasional raindrop, the musicians just played on...and the food was great!

The performers reflected our province...with 45% from Regina; 39% Saskatoon; and 16% rural/other. (Applications submitted were 42% Regina, 29% Saskatoon, and 30% rural/other.) As one performer said, "It was a great weekend of music. I had such a good time playing as well as listening, meeting the volunteers and signing autographs. This makes all the late nights hauling equipment and all the other stuff that goes with playing music, worthwhile."

Kudos to the top-selling artists of the weekend: Sweetsalt, Stepchyle, Butterfinger, Big Dawg and Wheatmonkeys.

Our fourth compilation CD, Flatland Music Festival 03, is the best edition so far. If you don't have one, you should get one. Seriously. Only $15. We'll be distributing the remainder between now and next summer. Stephanie in our office did a great job of promoing it to all radio stations in Saskatchewan.

Several bands took advantage of the opportunity to receive the jury feedback for their submission.

We passed out special Flatland balloons again...always a big hit...and had a great selection of awesome food and cool arts and crafts, plus community information booths and kids' face painting on-site.

Our compliments to this year's stage managers, Scott Pilling and Curtis Olson; and to the fabulous sound guys - Greg (Hap) Vancha and Kevin Gould. The on-stage sound was amazing and the front of house rocked!

Financially...we did okay, even with poor weather nearly all day Sunday! We had allocated a portion of our Cultural Industries Development Fund to covering any festival shortfalls - such as those caused by inclement weather. We almost didn't need it...but only due to cutbacks in budgetary areas such as headliner fees, foregoing a web broadcast, etc.

Volunteers rock. We had a bit of a tough time recruiting this year, seemingly because there's so many additional events going on this year around Regina and the province. We use a whole lot of volunteers to make the festival happen. It's not all easy work - try lifting picnic tables over your head or picking up garbage in 30-degree weather - but our volunteers always do a great job! We held volunteer prize draws once again and, as usual, gave away the collectible Flatland volunteer t-shirt. A volunteer party will be held this fall - really, we've budgeted for it this time. (Watch for a personal invitation in your mailbox.)

Our volunteers come out year after year, both musicians and non-musicians like, to support the Saskatchewan music industry. Not only do they work selflessly, they have a sense of pride and ownership in the festival that makes us feel really good about what we're doing. More on that later.

On behalf of SRIA board, staff and membership, an enormous pat on the back to the following who volunteered, plus anyone we may have accidentally missed...

Marny Duncan-Cary, Ashley Reiss, Jessica Keleman, Herb Ward, Jamie Burechailo, Wilfred Dieter, Cas Bitner, Colin Richet, Dawn Suchoboki, Jodi Lepp, Kelly Bitner, Jocelyn Drebot, Chad Eros, Brittan McCay, Meaghan Hickey, Jolene Best, Tammy, June Holter, Sandra Ermel, Brendan Cleary, Trevor Streete, Josif Ursu, Phyllis Lodoen, Vic Huard, Deanna Nolte, Corinne Kiefer, Chrystal Bolander, Jerrod Mohr, Roxanne Cherpin, Phil Alderson, Terry Mayer, Larry Heisler, Kelly Trachsel, Courtney Pauliuk, Scott Wright, Jason Peakman, Guylaine Maltais, Brandon Kuntz, Cole Szekely, Karen Smith, Marianne Walsh, Sheri Florizone, Karen Holt, Francine Kirk, Heidi Little, Ashley Castle, Janet Baron, Mandy Byers, Stacey Caldwell, Dianne Ell, Phyllis Desjarlais, Nehal El-Hadi, Pierre L'Heritier, Lisa Toth, Melanie Bishoff, Erin Gee, Donna August, Murray August, Russell Rudd, Tony Walker, Derek Fuchs, Eugene Wall, Greg Hargarten, Mark Bursey, Gary Brewer, Pam Cantin, Paula Woodfield, Tom Donnelly, Jackie Kuntz, Christine Merkosky, Jackie Blondeau, Kevin Switzer, Darren Scraper, Sharon Lindgren, Ben Winoski, Billie Kuntz, Tamara Bloor, Kyle Sierens, Jim Kennedy, George Gessey, James Amico, April Denomie, Benjamin Tingley, Jocelynn Bathgate, Dianna Firnez, Tamara Bloor, Carole Wollbaum, Erin Aubert, Jen Eisler, Jennifer Krienkle, Brodie Seaman, Elsa Gebremichael, Gord Arnold, Amber Kraft, Shelby Gaudet, Amanda Zinovich, Greg Ochitwa, Thomas Roussin, Richard Medernach, Cynthia Wells, Steve McDonnell, Denise Gerein, Tony Gerein, Linda Robertson, Barb Dedi, Randy Desjarlais, Hal Pauliuk, Karen Blackwell Jones, Sarah McQuarrie, Passion Brandy Moore, John Bellamy, Sandra Haldorson-Pulles, Justin Braaten, Ridena Skergenick, Julie Atter, Stacy Atter, Joanne Crofford, Quentin Hauta, Brenda Kerth, Stephan Lentzos, Josh Palmer, Cary Ciesielski, Len Boser, Winter Fedyk, Dwayne Stradeski, Shannon Poace, Daniel Sauer, Daniel Lonechild, Daniel Still, Matt Stewert, Stephan Peasley, Joe Musqua, Elizabeth McBride, Doug Sweeney, AJ Boser, Thomas Aisacon, Joe Luciak, Chad Guy, Ian Brodland, Emerson Ziffle, Thomas Adair, Alden Adair, Brian Nichol, Joe Lucaik and Dave Taylor.

These people in particular really saved our butts...Adrian Polsom, Kathy Stochmal, Robin Adair, Crystal Fetter, The Sweetsalt boys (Benjamin Reynolds, Sam Dufour and Jared Robinson), Kris Craig, Doogie Taylor, Jessie Korchinski, Janet Wing, Dave Schook, Jason Breker, Jocelyn Bishoff, Chris Guskjolen, Karen Cunningham, Carrie Horachek, Kim Fontaine, Rick August, Danny Fortier, Nathan Pauliuk, Amanda Baron, Sheena, Jessica Binkley, Scott Pilling, Curtis Olson, Eileen Laverty, Greg Hargarten, Roy Sydiaha and Robin Adair.

We love our sponsors. Without their support there is no Flatland. New this year, our beverage sponsor was Big Rock. We tried serving draft beer for the first time ever. It was all good. The Flatland kit was provided by Epek Percussion, a Saskatchewan-based drum company turning out world-class product! The costs of our Flatland compilation were completely donated. Thanks to Music Manufacturing Services; Rob Bryanton of Talking Dog Post & Sound; Derek Bachman of Greenduplex Productions; and also to the artists involved - they donated their licensing fees to make it all possible. Thanks to the Leader-Post for the donation of advertising space prior to the festival! ...and to the Prairie Dog and Planet S for publishing our third program guide. (This was the first year the guide was available comprehensively in Saskatoon!)

Flatland Thanks our Partners and Sponsors...

This we need to work on...

You've heard it dozens of times...we can't do this event without volunteers. And for a few scary moments on-site, that fact was driven home.

As always, setup and teardown support is crucial. That's on the Friday the festival starts, from 9 am on; on Sunday night after the music stops; and on Monday following the festival. We managed to grab a few people wandering through the site, and solicited help from the stage on Sunday when things were looking pretty bleak. Unfortunately, unless we have volunteers committed for these times in advance, next year we're going to have to hire on additional labour, and that could mean additional expenses.

General Stuff

Performers, remember to fill out and submit your SOCAN Festival Reporting forms (for the originals you played at Flatland), so you can get some performance royalties.

We've had some offers to assist with an online broadcast for next year, so we'll see what we can swing in that area.

We'll still accept feedback forms (for a chance to win a Flatland prize pack) until the end of August; visit www.flatlandmusicfestival.com to fill one out, and for more pictures from the event.

The performance application process may change slightly for next year, but we still anticipate a deadline in March, 2004.

If you have any comments or suggestions for next year, please forward them to festival@saskrecording.ca or call 306-347-0676. See more at www.flatlandmusicfestival.com!

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Western Canadian Music Awards September 25-28, 2003 Regina, Saskatchewan

"Not only is it going to be a great party, it'll be a place to learn and really get some business done."

Western Canadian Music Awards' Executive Director Thom Sparling is animated while talking about the event, happening in Regina September 25-28. "We've been doing this for five years (as Prairie Music Week), so we've really refined the best way to hold an event like this and cater it to meet the needs of everyone involved."

Prairie Music Week was an annual event that traveled throughout the three prairie provinces, promoting and celebrating the music of Manitoba, Saskatchewan and Alberta. The Prairie Music Alliance (PMA) was created by the three prairie music industry associations: MARIA, SRIA and ARIA to host PMW. Last year, the PMA merged with the Pacific Music Industry Association and the Recording Arts Industry - Yukon Association to form the Western Canadian Music Alliance. The new group became the overseers of the Western Canadian Music Awards (WCMAs).

"Regina is the perfect place to hold the first WCMAs," Sparling says. "The community has welcomed us into their city. We're planning a first class event and we're proud to be able to call Regina home for the 2003 WCMAs."

There are three main components involved with the Western Canadian Music Awards: a conference, festival and the awards themselves. While these components are similar to those found at other four-day music industry events, the WCMAs will stand out by offering delegates a raw, grassroots approach to every aspect of the event.

"We want everyone to come and have a good time - I'm confident they will, with the entertainment we've got lined up - but we also want to encourage people to really get information or advice, something that will stay with them long after WCMA weekend ends."

The WCMA conference is designed with just that in mind. In addition to the pick-your-brain panels about general topics like A&R, managing, and agents, it will also include unique, one-on-one opportunities for delegates to sit down with industry professionals from around the world.

"We're bringing over 20 international delegates to Regina," says Robyn Young, associate producer of the WCMA conference and industry awards. "This is huge news for both the organization and everyone who either already has their delegate pass or is thinking of getting one. The international delegates will be taking part in panels, workshops and more general activities, but the main reason we've invited them is to take part in the Meeting Manager Program. In the weeks prior to the WCMAs, delegates can apply online for a scheduled slot of time to sit down one-on-one with someone of their choosing for 20 minutes. No matter where they are in their career, each musician eventually thinks about getting their music outside Canada. This will help them get the advice they need to get noticed outside their home country."

The international delegation includes media, agents, mangers, promoters and many others from a variety of countries including Australia, the Netherlands, Germany, the U.K., Scotland, Ireland and the U.S. The Meeting Manager Program is an adjunct to the already stacked conference that includes a number of panels centred on current topics that matter most to musicians.

"We want to ask the questions that musicians can't find answers to anywhere else," Sparling says. "Pose the questions they want answers to. Give them helpful responses from a number of people. And if we don't happen to get to their question, give them the opportunity to ask it themselves. This isn't a closed door event; we want to get ideas and opinions out into the open."

Buffy Sainte-Marie has been named as the 2003 WCMA keynote speaker. The legendary artist and activist was born in the Qu'Appelle Valley and has spent more than four decades in the music industry as a singer, songwriter, guitarist, artist and teacher. Her unbridled wisdom on a wide variety of topics makes her a perfect fit for the WCMAs.

"Having Ms. Sainte-Marie take part is thrilling," Sparling says. "For decades she has been renowned worldwide for her music, art and opinions and we are so excited to give our delegates the opportunity to draw from her wisdom."

During the day, delegates take part in the conference to learn and get advice, but by night, the WCMAs shift into party mode, hosting a three night, 60-band festival that will infiltrate downtown Regina. All genres will be represented at the festival and selected performers will have the opportunity to play for their peers, fans and industry.

The WCMAs are capped with the gala Western Canadian Music Awards, taking place at the Saskatchewan Centre of the Arts on Sunday, September 28. The show will feature performances from Western Canada's heavyweights and will hand out the first batch of WCMAs to the most deserving.

The WCMAs aren't just composed of a festival, conference and awards show, however. The industry awards will be held on the evening of Saturday, September 27 and will honour the brightest players behind the scenes. Youth Career Day brings in a variety of youth-oriented panels and speakers to encourage those between the ages of 14 and 20 who are interested in getting into the music industry. It doesn't even end there; details on everything the WCMAs have to offer are available at www.westerncanadianmusicawards.ca.

"This is going to be a breakthrough year for us," Sparling says. We're so excited about this event, it's going to be great to gather everyone for four days to talk about the issues that affect all of us, and really hold us together as an industry."

At the time of writing, a press conference is scheduled for Tuesday, August 19, to announce the nominees of Creative and Industry Awards, festival artists, and further details.

Participating SRIA members will receive their voting ballots near the end of August. Be sure to fill yours in and send it in promptly, so YOUR voice will be heard in this process as we recognize the West's best!

Notice to SRIA Members...

For artists outside of Regina - Travel bursaries are available to help you attend WCMA. There is a limited number available; if demand exceeds supply we will take the first qualifying applicants received. The forms are now available from the SRIA office, or from our website (www.saskrecording.ca, click Funding and then Application Forms.) Applicants must be Participating SRIA members, must reside 250 km or more from Regina, and must register as a conference delegate. Deadline: September 15.

Saskatoon Delegates: If there is sufficient interest, we can arrange for a shuttle van or bus, arriving for the conference on Thursday (or Friday), and returning to Saskatoon on Monday morning. Please notify Julie, info@saskrecording.ca if you're interested.

Billeting: If there is sufficient interest we will arrange billets for out-of-town guests.

1) If you live in Regina and are able to host conference delegates, please respond with the following: Your name, address and phone no. How many guests you could accommodate? Is your home smoking or non? Are there pets in your home? Which of the following (nights) would you be able to billet - September 25/26/27/28?

2) If you are travelling to Regina and would request a billet, please respond with the following: Your name, address and phone no. How many people will be in your group? Do you require smoking or non? Are you allergic to pets? Which of the following (nights) are you seeking billets for - September 25/26/27/28?

Please reply to Julie, info@saskrecording.ca.

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ANR Lounge Offers Great Exposure for Recording Artists

The All New Releases Lounge, the Canadian music industry's most exciting and ambitious endeavour, is a promising light for the future careers of budding recording artists.

Dubbed the ANR Lounge, the innovative online service has been created to help recording artists maximize promotion of their new CDs to radio at no charge. It is the first of its kind in the world. Recording artists and their representatives can create a virtual promotional kit for their new CD release, which will include bios, sound clips and images. Once uploaded and accepted, the ANR Lounge will automatically post the new release in the Lounge, to be accessed by influential radio programmers from coast to coast to coast.

"The success of this service is two-fold," says CIRPA's Anna Maria Russo, project coordinator. "The ANR Lounge creates an unprecedented level of two-way communication between the artist and radio stations and it eliminates the intimidating geographical vastness of the country. It has never been easier and cheaper for an artist from St. Johns to try to get airplay in Victoria."

The project is the love-child of each regional music industry association, lead by CIRPA (the Canadian Independent Record Production Association) and FACTOR (Foundation to Assist Canadian Talent On Record).

All artists are invited to post their new releases to the site. Every week an email announcement of the new releases - including yours - will be distributed to radio stations across Canada (all formats). Register online at www.mincanada.com to upload information about your new release, including sound clips and images.

If you've already added your release, you can now view the site at www.mincanada.com. Once you are in the member reception area, click on ANR Lounge in the upper silver navigation bar. (All SRIA members will be receiving a password to view the site, whether or not they have posted a release.)

Watch for more exciting features being added to the site over the coming months!

(Please note: If you've been having difficulty uploading your release to the site please contact the SRIA office, and we'll try to assist you in the process.)

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Artist & Studio News

RELEASES AND PREMIERES...

  • Big Dawg finished recording their first album in Basement Studios, and held a release party at Rochdale Brews and Cues, Regina, on June 21. The band has since signed to Basement Studios for booking/promotions.
  • Common Weal Community Arts unveiled "Prairie Echo" on June 22 in Regina. The Prairie Echo CD is a collection of five collaborative, community-based sound creations. These creations are a result of a Common Weal initiative; linking professional artists with "a community of people" in the production of an audio composition, providing a forum for collective voice.
  • Jack Semple has completed a new CD called "Wakeup Time", featuring the Chess Club. The CD is all acoustic guitar duets consisting of Jack, with Greg Lowe (from Winnipeg). There are eight original tunes plus a couple of jazz covers. You can listen to a sample of the CD at www.greglowe.com.
  • John Arcand's new recording, "Celebrating Tradition", is out. Get more info, including how to order, at www.johnarcand.com.
  • Stephanie Thomson released the first single from an upcoming album. The title track "Modern Day Attraction" was released to Canadian country radio in June. PHD Canada and Studio 11 Records will handle distribution; the album will also be available through www.stephaniethomson.com and www.cdbaby.com. The 14 tracks of pop crossover songs, which Stephanie wrote or co-wrote, were produced by Chris Burke Gaffney in Winnipeg at NB Studios. Stephanie shot a music video for the planned second single, "What Do I Gotta Do," in Saskatoon in July, with Tony Hyrunchuk directing. Luke McMaster, co-writer on the song, cameod in the video. Stephanie also won the North Dakota State Fair's "Colgate Country Showdown" in July. Stephanie will move on to the next level of competition in South Dakota, September 5. (Finalists from that event will move on to the final competition where one winner receives $100,000 US and a recording contract with Lyric Street Records.)
  • MapleMusic Recordings is pleased to announce that Regina crooner Jason Plumb is joining the MapleMusic Recordings family to release his debut solo album, "Under and Over", on September 23. Jason is familiar to many as the lead singer of the Waltons, whose debut album "Lik My Trakter", moved more than 80,000 copies and earned the band a Juno Award for Best New Artist. The Waltons went on to tour Canada, United States and Europe with bands like Blue Rodeo, The Bodeans, Jimmy Nail and Barenaked Ladies. Ed Robertson is producer for the project, recorded by Jeremy D'Arby at Canterbury Sound in Toronto. Jason was joined in the studio by Ian LeFeuvre, Peter von Althen and Maury Lafoy of Ottawa group Starling. Sarah Harmer also guests. The album was mixed by Lefeuvre and David Travers-Smith and mastered by Joao Carvalho at Umbrella Sound Studios, Toronto. Recent dates with labelmates Skydiggers have shown that Jason is ready for the road with a new six-piece band. Watch for him on the Canadian festival circuit this summer with a full Canadian tour to follow in the fall. Jason has agency representation by Glenn Vogelsang, The Agency Group, Toronto. Coming soon: www.jasonplumb.com.
  • AutoPilot's "When You Were" was released on August 7 at the Wash n' Slosh.
  • Saskatoon's Carrie Horachek released her debut solo album, "Out the Car Window", on June 6 at Crawdaddy's Voodoo Lounge. Produced by Captain Tractor alumni Brock Skywalker, "it's a weirdly eclectic mix of styles and phases; music fans interested in singer/songwriter types will catch this groove". The feel of the album sways from pop to folk, occasionally throwing in a bit of funk, maybe even old school country. See www.carriehorachek.com for pics and audio.
  • Regina's Dave Taylor returned from a Western Canadian tour with Calgary's Jasmine Whenham to release his new CD in Regina on May 31. "My, aren't you pretty" - his eighth project - is a nine-song, multi-tracked-live-off-the-floor 2 track, recorded at Cafe Ultimate. It features 4, 6, or 10 part vocal harmonies, vocalized drum loops and guitar loops all with the help of a line6 DL4 pedal. This recording represents what Dave now does live; a fully arranged recording made to order. A planned cover album titled "I'm Prettier than you" will be recorded next year. You can find 3 songs from the new CD at www.mp3.com/davetaylor and he's also proud of his new website at www.davetaylormusic.com. The site, designed by Brodie Seaman, has all the dirty info that you'll need to know about Dave and his music. Dave hits the road in August with Dave Lang for the "Dave's Not Here" tour through Western Canada. Dave Lang is proud to be releasing his first CD in six years. "Live & In Quonset" was recorded in Regina at "Dave's Bar and Grill" with friends Tolan McNeil and Garth Johnson (Carolyn Mark "alumni").
  • Heidi Little has released a live acoustic album, "Live In a Shoe Box", in conjunction with a rock record, "Little Roadz." Little is set up with a new seven song, transitional rock record, produced and arranged with the support of fellow singer/songwriter, Jason Forrest Plumb. Little Roadz elaborates Little's love for 70s edgy rawk, while the eight song Live In A Shoe Box solo disc for acoustic fans was recorded live by CBC Radio, for use in their Women's Voices Concert Series - with Little on acoustic, accompanied and Cody Gamracy on electric guitar. Catch Little on her fall tour with supporting band, Ghosts of Modern Man. New website www.heidilittle.com should be up soon - check out snazzy new merch and of course, two new records. You can also find info and tracks at www.canadiancreative.com.
  • 5 Star Productions are pleased to announce recording artists CurvedWorth's debut self-titled CD release in August. The disc was produced by Steve Dodd and CurvedWorth, recorded and mixed by Steve Dodd at Sound Mind Studios. Three songs can be found at http://artists.mp3s.com/artists/564/curvedworth.html, or their website, www.curvedworth.com.
  • The new Fight The Monster CD, "Meat Hotel" is now available (in Regina) at X-Ray Records, Buy the Book, and Buzzword Books. They play "folk inspired rock and roll". Check out fightthemonster.com.
  • The Junior Pantherz "Ballistics" CD Release Party was held on July 25 at Amigo's (with opener Ef Perriera). They followed up with a performance at the Georgestock Festival. Ballistics is the Pantherz fourth self recorded, produced, mixed, mastered and designed album. The album will be available at most major centres and will be serviced to all major radio outlets. New songs will be posted at www.juniorpantherz.com.

NEWS...

  • Regina's Weak at Best is in a huge online contest for the Warped Tour battle of the bands. With about 2600 bands entered, currently Weak at Best is ranked 5 out of those 2,600 - the only band from Canada in the top 10. The end of the contest is September 3. Go and vote at http://battle.ernieball.com/bb7/view_band.php?action=byvenue&venue=11. For more info on the band, visit www.weakatbest.com or www.mp3.com/weakatbest/.
  • Transit Studios is a brand new 2100 sq.ft., state of the art recording studio. It's fully equipped to cater to any of your audio needs, and supplies many services such as audio branding, audio for web or video, music production, studio consultation, media design and more. Centred around Digidesign's ProTools, capable of 32 track recording mixing, editing and mastering services; facilities include 2 studio floor and 2 voice-over booths, of varying sizes. Transit boasts a unique collection of microphones, professional drum kit, and wide assortment of digital effects. Recent clients include The Nancy Ray-Guns and The Greyscale. For info, 306-351-0280, info@transitstudios.net, or www.transitstudios.net.
  • The Wheatmonkeys showcased at the COCA Conference (Canadian Organization of Campus Activities) in Montreal. After a successful showcase at this year's Canadian Music Week, followed by a mid-west campus tour, the Wheatmonkeys began their summer tour schedule in support of their "DANGER". The Wheatmonkeys shared the bill with Goldfinger and Story of the Year for two dates in Winnipeg and Saskatoon. Check out www.wheatmonkeys.com for audio/video and pics.
  • Regina's DJ QUARTZ won the DMC Saskatchewan Elimination DMC contest and travelled to Montreal in July to compete in the finals. For more info, visit www.dmccanada.com/2003_canadian_eliminations.htm or www.djquartz.ca.
  • Brad Johner's second single, and the title track from his album "Free", has been a smash hit from the beginning, something many radio programmers predicted upon first listen. Although Brad is no stranger to radio success, with many Johner Brother tunes receiving top 20 status, Johner finds this new success particularly gratifying. The first single, "Hello", and its video both charted well when released last fall. Brad's popularity has led to continued success on the touring front, as Brad will be crossing Canada twice in the winter as well as playing a full slate of country festivals and grandstand shows this summer. Free, distributed by Royalty Records, can be purchased in stores or at www.bradjohner.com.
  • The touchtone gurus album "Blue in the Face" was nominated for Independent Recording of the Year at COCA Nationals 2003. The gurus were also invited to showcase at NXNE, but had to decline due to other commitments.
  • Saskatoon artist Brenda Baker and hubby Art Slade are proud parents to Tori Lorranne Slade, who arrived on July 19, weighing 5lbs 12.5 oz. Wooo-hoo!
  • Marthie Nel's "die Israeliet" is slated to be made into a music video for Afrikaans Television channel in South Africa.
  • Nancy Ray-Guns performed at O'Hanlon's for the official release party of National Pist Magazine on August 10.
  • Marny Duncan-Cary has received a Sask. Arts Board grant to help fund her in-progress recording project, which she's working on with Bart McKay at Sound Edge Studio in Saskatoon...she will also be showcasing at the CCMAs in Calgary on Sept. 5. She's very excited and hopes folks from Saskatchewan attending will come out and cheer her on!
  • Vincent Murphy has been appointed Marketing and Programs Coordinator of Land of the Loon Resort and Conference Centre in Anglin Lake. Vincent is returning to the north following seven years in Regina, where he developed and facilitated a series of personal development and creative expression workshops, and is also recognized for his skills as a master storyteller. The Land of the Loon Resort is a four-season facility offering a wide range of modern vacation and conference accommodations and services, located in the heart of the boreal forest region, 65 km north of Prince Albert. View www.landoftheloonresort.com for more info.
  • Freedom Sound, Yorkton has installed a new ProTools rig Mac G4 with all the bells and whistles and an Alesis HD 24 hard drive recorder.
  • Allison Uitti wrote a song related to some history sessions offered by the Office of the Treaty Commissioner (about the desire to return to the original meaning of the treaties vs. the Indian Act which was forced on the First Nations people). Her class, along with their carepartners from Confederation Park School, just finished recording the song for use on the Treaty Commissioner's website, and also performed it for Treaty Day on June 17.
  • Elyse Bruce has started a new initiative...establishing a business that creates instrumental music CDs. They are created specifically for the client (schools and non-profits) as a fundraiser, and can cover a variety of styles from classical to jazz through to ambient electronica and dance club music.
  • The Long Day's Night Music Festival was a great success. Art Gallery of Swift Current and Blenders: art+music @ art gallery of Swift Current entertained over 2400 people during the festival, June 18 to 22. Under a big-top tent in the open field beside Swift Current's RC Dahl Centre, the crowds listened to an amazing lineup of performers, featuring Saskatoon storyteller/banjo player Bonnie Logan, Bob King and Family, Helen Gauvin and Jacqueline Hudec, Trevor Caswell, Swift Current's The Remainders, Back Alley John accompanied by accordion player Howard Chapman, B.C. Read, Skavenjah, The Hudec Brothers, Jordan Cook Band, Swift Current's Across the Creek, The Prairie Trumpet Ensemble, The Kenny Marco Trio, the Angie Tysseland/Terry Long Duo, and SwingSoniq.
  • Ghosts of Modern Man joined the Warped Tour in Calgary on July 2. After playing over 80 shows across Canada since January, the band has made headway with songs for the new record. The band will be in full writing mode for the new album, and hope to have it released by mid October. Up to date info on the band can be found at www.ghostsofmodernman.com or www.articamusic.com.
  • Bev Zizzy has been working on material for "In the Spirit of Tess", some of which will be unveiled in upcoming concerts, with a tentative release date in September.
  • Michelle Boudreau will be releasing "down" this summer - a new live solo EP recorded at the Westminster Church in Regina.
  • 2nd Avenue Mitch has a new site at www.2ndavenuemitch.com. Sign the guestbook and watch for new MP3s.
  • Meckelborg Music Services and Audio Art Recording have formed a new partnership and location under the name Audio Art Recording. The new location is 269b 3rd Ave South, Saskatoon. The studio will be in the basement (1700+ square feet that used to be a fur storage vault), and Cinepost Films has moved in on the main level. The floor plan will have 2 control rooms, 3 performance rooms and a lounge. A grand opening will take place shortly.
  • Best wishes to Bill Gerald, Regional Director of Radio and Television for CBC Saskatchewan, who is retiring. His successor is David Kyle.
  • Congratulations to 2003 Canadian Country Music Award Nominees...For Album Of The Year, Free - Brad Johner; SOCAN Song Of The Year, Free (written by Brad Johner/James Grandy; recorded by Brad Johner); Group Or Duo Of The Year, Poverty Plainsmen; 2003 CCMA Industry Award Nominees...Talent Buyer Or Promoter Of The Year, Mark Smith (Big Dog Entertainment); Country Club Of The Year, The Pump Roadhouse - Regina; Record Producer Of The Year, Bart McKay - Free (Brad Johner); 2003 CCMA Independent Award Nominees...Independent Group Or Duo Of The Year, Johner Brothers and Poverty Plainsmen; 2003 CCMA Broadcast Award Nominees...Radio Station Of The Year, Major Market, CJWW - Saskatoon; Music Director Of The Year, Major Market, Dawn Woroniuk - CJWW, Saskatoon; Music Director Of The Year, Secondary Market, Abbey White - CILG-FM, Moose Jaw; On-Air Personality(s) Of The Year, Secondary Market, Abbey White - CILG-FM, Moose Jaw. 2003 CCMA Musician Award Nominees...All-Star Band...Drums, Brad Johnson (Poverty Plainsmen); Fiddle, Pat Allingham (Emerson Drive) and Cory Churko (Shania Twain); Bass, Sean Smith (Poverty Plainsmen); Keyboards, Bart McKay (Brad Johner). Winners will be announced on September 8 from the Pengrowth Saddledome in Calgary, AB.
  • Dogz Lyfe is a new, young Regina rap duo consisting of Robin Favel (aka Burden) and Cameron Nicholls/Dell'agnese (aka Infamous). Since January they've been participating in rap battles, open mikes, the Crow Hop Cafe and various performances around the province. Now signed to Lightening Strike Agency, they've begun work on an album titled "Leaving an Infamous Burden" - watch for them, and visit http://lightening_strike.tripod.com/crazyhorse/ for more info.
  • McFlett Video Productions are now located in Saskatchewan. With over 12 years broadcast experience with MuchMusic, CityTV, CTV and 8 years operating our own company, we have the solution to all your video requirements. We offer first class video production, on-site shootings, in-house editing and music videos. Music consultant with 20 years experience with bands such as Thin Lizzy, Manfred Mann's Earth Band, one of Scotland's top club bands (Sad Eyes) and numerous other satisfied musicians. We customize our shooting/editing/production to suit your needs and price our videos to match your budget. Contact us to create a "musical demo tape" to shop to clubs, agents, managers, TV, etc! Call David or Sherry at 306-533-5506 or 306-522-9275 or email david@mcflettproductions.com.
  • Saskatoon violinist Kerry Duwors has won the Eckhardt-Gramatte National Music Competition. The E-Gre alternates between voice, strings and piano. Duwors will take part in a national tour and make a solo appearance with the Montreal Chamber Orchestra.
  • David L. McIntyre's new Concerto for Piano and Orchestra received a thunderous ovation at its April 12 premiere at the Saskatchewan Centre of the Arts, Regina. German pianist Catherine Vickers and the RSO, under the direction of Victor Sawa, were recorded for June 29 broadcast on CBC's Symphony Hall. The same concert opened with Fanfare for a Beloved City, a new work for Brass and Timpani celebrating Regina's 100th Anniversary. Over the summer David launched Roy Street Music, with the publication of two volumes of music from his Organ Notebook (1: Preludes & Interludes; 2: Postludes & Processionals). With the recent release of Sonata No. 2 for Flute and Piano, Blis Music Publishers of Brandon, Manitoba now carries both of the McIntyre flute sonatas. David's newest work, an elegy for orchestra, will be premiered on the season opener of the Regina Symphony Orchestra, September 20.
  • Regina's To The Point has enjoyed a busy summer of out-of-town dates and four festival gigs within Saskatchewan. The band also performed in Edmonton and Banff, Alberta in early August. To The Point's search for backing continues, as they return to the studio in the fall to finish tracks for a forthcoming full-length CD release. Visit their updated web site at www.tothepointmusic.com.
  • Congratulations to recent approvals under the Sask. Arts Board's Individual Assistance Program...Jason Cullimore, Marny Duncan-Cary, Gregory Duncan, Edith Gruber, Amy Horvey, Eileen Laverty, Clarence Logan, Tom McCaslin, Stephen Runge, and Jack Semple.
  • Matt Burgener, formerly of North Battleford, is now working at the Toronto Blues Society, and recently finished his first album. His website is www.mattmasters.com.
  • RipperTrain's first single, "Hard & Faded" has been well received. They just completed dates in Alberta and Saskatoon, and more are posted on their website, www.5-starproduction.com.
  • Cosmic Pad Studios has had a busy year. 2002 ended with Ross Nykiforuk and Jay Semko composing music for the TV series "Body and Soul." In early March, the fishing season opened and The Northern Pikes recorded their new album, "It's A Good Life." Produced by The Pikes and Ross Nykiforuk, the album was recorded and mixed at Cosmic Pad Studios on their new ProTools HD3 system. Currently Angie Tysseland is finishing a new album with Ross as producer, and in October Kenny Greer (Red Rider) and Hollis Brown will be hangin' at the Pad. And let's not forget to mention the new climate-controlled atmosphere at Cosmic Pad...just watch the tuning!
  • The 6th Annual John Arcand Fiddle Fest was a huge success, with 53 fiddlers and 24 jiggers competing, and attendance was up! Plans will begin for the 7th Annual John Arcand Fiddle Fest 2004, August 13-15.
  • Recording of Into Eternity's "Buried In Oblivion" is nearing completion. Grant Hall and staff at Touchwood Studios, who worked with Into Eternity on the "Dead Or Dreaming" album, now have the task of mixing the new album alongside the band. In other studio news, Tim and Rob laid down guest guitar solos for an acquaintance on his upcoming full-length record for Dutch record label Fear/Dark. The band played to a near-capacity crowd in their hometown of Regina on July 18 with Rob's live debut in the band. On August 13 they performed at the U of R for a MuchMusic-taped event. In addition, watch for an interview with the band on Much's "Going Coastal" in September. Go to intoeternity.com to see more.

Classifieds

  • Music teacher Mike Vancha needs guitarists, bassists, pianists, and drummers for good paying teaching jobs. He needs help teaching private lessons as he has many on his waiting list, especially beginners, who want lessons desperately. Phone 306-586-5023 for details.
  • Experienced vocalist w/guitar & bass needs $$ gigs NOW - any style. Need an experienced singer/player to sub in? I can learn your song list FAST so please give me a call. Just moved back to Saskatoon from Calgary. Sung professionally for 15 years, studied music in the Commercial Music Program at Capilano College, North Vancouver and playing full-time since 1989 - lots of touring. I play solid rhythm guitar and bass, have Taylor acoustic & Warwick Fortress and in-ear monitors, great pitch, great ears, and love singing harmony/blending and prefer working with vocal-oriented bands. Rock-solid time, and have played to a click for 12 years. LOTS of experience doing sound from stage: can ring-out monitors, mike a drum kit, and get a good mix. Played in cover bands doing Top 40, retro, rock/alternative and country. Versatile vocal style. Happiest singing slamming R&B urban soul but love whatever the crowd does (honest). Looking to join professional, non-touring band to front or as sideman (bass). Contact Angie, tigerlilly8@shaw.ca.
  • Experienced soundman looking for gigs - 25 years experience, easy to work with, versatile sound tech, can travel, with or without gear. Also am drummer/vocalist, over 20 years experience, looking for working band, can play country, rock, blues, R & B, good gear, good attitude. Currently living in Yorkton, but can travel. Contact Frank Newcomb, 306-782-0489 or email frankn@sasktel.net.
  • Factory built trailer 10'L-5'H-5.5'W...loaded, with complete Peavey-Yorkville P.A. system. Suitable for 4-5 piece band, $6800. Price negotiable, cash only. Phone 306-763-4745 or 306-961-6976, fax 306-922-2503, or email garry.larson@sasktel.net.
  • Moose Jaw Youth String Orchestra is currently accepting new players ages 6 to 18, for instruction in violin, viola, cello or string bass. All levels of ability are welcome. No musical background is required and rentals are available. For information, call Mary Cross at 306-694-4862 or Rhae Ann Bromley at 306-692-2306.
  • Looking for bass player whose influences are Hendrix, Black Sabbath, etc. to play original material, and some covers. Regina based band. Contact Wilf, 591-3771 or work 543-3237.
  • Looking for young, experienced and dedicated musicians to form a country/pop band to be located in Saskatoon. Lead vocalist needs a drummer, lead guitar, acoustic guitar, keyboards, bass and specialty. For more info contact Melanie 306-477-5093 or melanie_charpentier@hotmail.com.
  • Guitar/Bass player with vocal abilities, in mid-30s, looking for other similarly aged persons in Swift Current and area to form a band for jamming and occasional live gigs. Open to most genres. Am willing to join existing band. If interested, please contact Greg at grntg@yahoo.com.

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Industry News

  • The Canadian Academy of Recording Arts and Sciences (CARAS), along with broadcast partner CTV, have announced that Edmonton will host the 2004 JUNO Awards from April 2-4, 2004. This announcement marks the first time Edmonton will host Canada's largest music industry award show. Melanie Berry, President of CARAS, says that selecting a new host city is just one of many elements that mark the expansion of the JUNO Awards. CARAS also announced that it has extended its broadcast deal for The JUNO Awards by two years (2004 and 2005) with CTV. Last year's JUNO Awards, hosted by the nation's capital, generated unprecedented records of success. At 2.2 million viewers, the 2003 JUNO Awards Telecast hosted by superstar Shania Twain, eclipsed the 2003 Grammy Awards (Feb. 23, 2.1 million viewers) and shattered box office records at the Corel Centre, selling out tickets in a matter of minutes. International media attendance at the telecast also tripled to include representatives from Gemini Radio, the largest private broadcaster in the UK, People, Rolling Stone, InStyle and US Magazine in the U.S. For more information on the 33rd annual Juno Awards, visit www.juno-awards.ca.
  • Universal Music Canada has a new business to business website is available to its customers. Clients of Universal Music can register on the site, www.umusicbiz.ca. The primary purpose of the site is to provide easily accessible information and digital assets for download for by retail, radio and media customers.
  • FCC votes to relax media ownership rules: Despite overwhelming opposition, the U.S. Federal Communications Commission (FCC) voted 3-2 for "radical deregulation" of media ownership rules that previously limited the size and power of media companies. The new rules, voted on June 2, allow a newspaper-broadcast cross-ownership rule, which permits a company to own a newspaper and a TV station in the same market, as well as significantly increasing the number of TV stations one company can own. Every two years, the FCC is mandated by Congress to justify their rules in regard to diversity, localism and competition. This year the commission felt that the previous rules were not applicable in this new day of technology. "This decision empowers America's new media elite," said FCC Commissioner Michael Copps during the hearing. "The citizens are almost unanimously opposed to these regulations. They are screaming for us to protest their local interests." Critics of the FCC claim the new rules would limit diversity and reduce the voices to which people are exposed in the delivery of the news. "A dark cloud looms over America," said Jonathan Adelstein, the other dissenting FCC commissioner. "This is a massive weakening of media ownership rules. Today's rules don't just let the big get bigger, they don't let the small get started at all." Media mogul Ted Turner, a major shareholder in the largest of five media corporations, even opposed the deregulations, saying, "They will stifle debate, inhibit new ideas and shut out smaller businesses trying to compete." "The FCC's rule changes will do for television what they did for radio-set off a wave of ownership consolidation that will eventually mean fewer distinct voices in the industry and a further loss of localism," said Hub Brown, associate professor of journalism at Syracuse University's Newhouse School of Public Communications. Protesters outside and inside the meeting chanted, "Mass deregulation of the mass communication is the end of democracy!" They were immediately removed from the room.
  • The Radio Starmaker Fund announced a new round of funding approvals for a new group of up-and-coming Canadian artists. A total of $723,732 will be distributed among 11 rising Canadian stars, including Sam Roberts, Sloan, Glamour Puss, Denzal Sinclaire, Bif Naked, Corb Lund Band, Theory of a Deadman, Delerium, Gob, The Paperboys and The Be Good Tanyas, to support marketing and promotional initiatives such as print/radio/TV advertising, promo tours and tour enhancement. Every quarter, The Radio Starmaker Fund - an initiative of the Canadian Association of Broadcasters, in partnership with the Canadian Independent Record Production Association and the Canadian Recording Industry Association - provides grants and bursaries targeting worthy artists in support of their continued efforts to advance their careers.
  • Public announcement from the Alliance Of Canadian Cinema, Television And Radio Artists (ACTRA) - ACTRA represents actors and all other performers, including background performers (extras) in Canada in the recorded media, including film and television production, radio, and commercial advertising. Almost every production that engages Performers in Canada has a signed contract with ACTRA. Performers wishing to secure stable employment in Canada in this field are able to do so only through ACTRA. There are no other legitimate organizations even similar to it. The purpose of this alert is to make performers and the public aware that claims or offerings made by individuals or companies to the effect that they can secure employment for you in that industry should be viewed with extreme caution. ACTRA's reputation and that of the professional film production community is not served by persons engaged in activities designed to take money from the public while providing little or nothing in return. ACTRA is well acquainted with all the casting and talent agents working in this jurisdiction. Should you require advice regarding the legitimacy of any individual or company related to the industry, call the ACTRA office. Mike Burns is the ACTRA Saskatchewan Branch Representative, located in Regina at 306-757-0885.
  • New Software...Gigorama Soloflight 1.0 is a new product for Windows that manages bookings, lessons, contract printing, earning/expense summaries and more. An accompanying manual contains further indie management info. PC only, it's $89.95 CDN and available from www.musicbooksplus.com.
  • Oasis CD's label division, Rain Dog Records, has created a package of electronic marketing and distribution services, including...your music encoded and submitted for consideration to the Apple iTunes Music Store (for PAID playback on the iPod player - iPod owners purchase music by downloading it); your recordings in the Replicheck "audio fingerprint" database for reporting (CMJ, performing rights organizations, and so on); a listing of all your iTunes tracks on the Indie Channel, an independent outlet devoted to promoting and tracking indie music on the iTunes Music Store. In partnership with CD Baby, they also provide digital music delivery options also for Listen.com, Emusic and other digital distributors. The signup fee is $30 (per album title) for the iTunes Music Store/Listen.com/eMusic package or $55 to add Replicheck audio fingerprinting. Visit RaindogRecords.com for more info or email questions to digital@oasisCD.com.
  • CD Baby is also offering digital distribution - to Apple iTunes, Listen.com, and more. They keep 9% of all income from your music. One-time setup cost of $40 (per album title). They require exclusivity for these services (only) during the contract.
  • Sonicbids provides an online method to deliver your press kit competitions, festivals, and more. Their Sonicbids Electronic Press Kit (EPK™) is a web-based graphic interface that contains all the basic information of a musical act such as music, photos or date calendar. It can then be emailed to anyone or submitted in online promoter accounts through a virtual "Drop Box". The Drop Box is an area in each artist account where musician members can submit their EPK with one click to a list of exclusive Sonicbids partners, including conferences, live showcases, festivals, and a growing list of clubs. In certain situations where there is a fee associated with a submission (such as with a music conference) you can both pay the submission fee and submit your electronic press kit to the partner at once. (No more last minute courier fees!) The EPK is not a replacement for your current website; it's more like an ad, easy to update (for the sender) and quick to review (for the recipient). If they want to find out more in-depth info about your band, they'll go to your site. Subscriptions to the service start at $49.95 U.S. per year. Visit www.sonicbids.com for more information.
  • NXNE 10th ANNIVERSARY: June 10 - 12, 2004. Your NXNE delegate badge gives you: Priority access to see over 400 festival acts - Full access to: keynote address - CBCRadio3.com live recording - trademark "up-close" panels, roundtables and workshops - Demo listens and one-on-one mentor sessions - SOCAN Songwriters Session - Free legal clinics - NXNE 2004 Directory - Registrant's Delegate Bag - Full access to the NXNE Filmfest, including one-day conference (Saturday, June 12) and three nights of great music-related independent films. Call 416-863-6963 or visit www.nxne.com for more info.
  • BMI Negotiates new commercial radio airplay royalties: The multi-year deal, worth over $1 billion, covers most U.S. commercial radio stations through 2006. It comes nearly four years after talks between BMI and the Radio Music License Committee (RMLC) first broke down. With a trial date looming the groups finally reached an agreement. The new arrangement sets a flat fee for the radio industry, replacing the previous "percentage of station royalties" system used to calculate royalties payable. BMI says it's a good deal for the more than 300,000 songwriters, composers and music publishers it represents, as it will give them a more predictable rate structure, and is expected to save time and money. The RMLC hopes to work a similar deal in pending negotiations with the American Society of Composers, Authors and Publishers (ASCAP).
  • Clear Channel under investigation: The largest radio owner in the U.S. is being looked into due to consolidation and "use of coercive tactics". Among the complaints are allegations that Clear Channel punishes artists who don't use the company's concert promotion arm by pulling, or threatening to pull, radio airplay for their songs.
  • Radio airplay on Sirius satellite channels will now be reported to major labels and trade publications including Radio & Records. The charts will also be available to subscribers at www.mediabase.com (info, www.sirius.com.) and, Nielsen SoundScan has added music download sales to its reports.
  • Indie Pool's e-commerce service - Indie Pool hosts secure e-commerce order pages for thousands of Canadian recording artists. To view an example go to www.indiepool.com/CUT8CD. $100 setup, $9 per month. They provide you with a direct link to a personal, secure order page. Every time an order is placed online for your CD or merch, you receive an email in real time with the customer's name, address, e-mail and phone number, allowing you to manage and add to your fan club. Indie Pool fills all orders within 24 hours and they manage customer service. CALL 1-888-88-INDIE (1-888-884-6343) for details.
  • SRIA members looking for an online retail system for their website are now eligible to receive RDR's SELLNET program...free! This specifically generic system will give your website Visa, MasterCard and American Express, and will enable you to have worldwide distribution. The SELLNET program is free to all members - no hook up charges, one time fees, monthly or yearly invoices. If you are interested, or require more details, please email joe@rdrmusic.com or call 1-800-557-3723.

    a) It's like an EBAY™ for Canadian musicians: A brand new music website for musicians wanting to buy or sell gear, or searching for players. It's open to Canadian residents only (skipping duty and exchange hassles), and it's free to place a basic ad - commercial businesses/dealers can purchase packages as well. Plus, Musicbeat does not charge any fees or commissions on gear sold. Instead of a big corporation, it's the brainchild of a couple of Edmonton musicians who saw a need in the market. Check it out, and get rid of that unused gear sitting in your basement...www.musicbeat.ca!

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State of the Industry: Downloading

With a value of $4.6 billion, the number of pirated CDs in worldwide circulation has now reached 1/3 of all albums produced, reports the International Federation of the Phonographic Industry. IFPI, representing 1500 record companies in 70 countries, is stepping up efforts to control the most prolific producers of pirated recordings - Brazil, China, Mexico, Paraguay, Poland, Russia, Spain, Taiwan, Thailand and the Ukraine. These figures seem to correspond with a recent U.S. survey indicating 1/3 of all music customers have purchased fewer CDs this year than last year. The study notes several factors for the decrease, including economic uncertainty and the belief that CDs are overpriced. 41% of young consumers stated that "downloading and burning music tracks" were an additional reason for purchasing less. However, the study also notes that there are successful strategies for winning back consumers' attention...including bonus tracks, stickers, rebate offers, and video content.

Piracy was a hot topic at the AFM convention in Las Vegas...where delegates noted, "recorded music requires the creative contribution, talent and hard work of tens of thousands of musicians…who depend on legitimate sales to earn a living and continue creating music." Speaking on behalf of over 110,000 professional musicians in the United States and Canada, delegates urged all music lovers to support musicians by refusing to purchase pirated CDs and refusing to engage in unauthorized downloading of copyrighted music files. "Musicians make music for love, but they can't afford to do it without an income."

Covenant Corporation has launched Protected By Covenant, a system that utilizes music pirates' own file trading networks. Covenant gives away cash and prizes to recruit fans and file traders to assist in protecting songs. Some prizes have already been awarded - with enthusiastic accolades from die-hard file traders. The Covenant Media Distributor software automatically downloads music tracks to members' computers for further trading. The tracks remind traders to "do the right thing by artists" by paying for their songs. They're attempting to defuse the escalating tension between record labels and consumers over digital distribution issues. When file traders become members of Covenant they help to protect and promote the artists; as well, Covenant is helping to educate the fans and file traders as to why it isn't cool to steal music online. Covenant recently launched its Members Internet site and services at www.protectedbycovenant.com.

The Recording Industry Association of America launched a massive counterattack on piracy, by surprising approximately 1000 suspected illegal users with federal subpoenas. The campaign began just weeks after U.S. appeals court rulings stating that internet providers must turn over the true identities of subscribers who are suspected of illegally sharing music and movie files, upon subpoena. (Most file sharers use nicknames or aliases online, and cannot be readily traced without the cooperation of their internet provider.) Some of the U.S.'s largest Internet providers are now compelled to provide names and addresses for users on their networks. U.S. copyright laws allow for damages of $750 to $150,000 for each song illegally shared from a person's computer, but RIAA has said it would be open to settlement proposals from defendants. The subpoenas cite file sharers with as few as five songs being shared from their hard drive. Peer 2 Peer users, meanwhile, are attempting to fight back with new software designed specifically to prevent monitoring of their online activities.

In some cases, the general public is getting a quick lesson in music copyright law...previously unaware that use of the software could result in a warning, lawsuit or criminal prosecution. "The idea really is not to be selective - people (should) know that if they're offering a substantial number of files for others to copy, they are at risk," stated RIAA's Cary Sherman. Referred to as "Internet's equivalent of shock and awe", many downloaders are finding out that copyright lawyers can get through the presumed anonymity of file-sharing, even when hiding behind nicknames. In homes where parents or grandparents may not closely monitor Internet usage, the news could be especially surprising - for example, where a teen has been using the family computer to download hundreds of illegal files, their father (who pays the internet service bills) may receive a subpoena. Outside legal experts urged the music industry to carefully select targets for its earliest lawsuits, and said they were doubtful the RIAA would ultimately choose to sue everyone subpoenaed, after taking individual circumstances into account.

As expected, Napster is reinventing itself - as a legal, for-pay download service. Napster 2.0 clients will be able to purchase individual tracks from a library of 500,000 songs, can pay for programmed radio stations, and/or get unlimited access through a subscription program. In addition to material provided by record labels, Napster hopes to set up its own studio to record exclusive live tracks and artist interviews. Currently in negotiations with major labels for content, a site launch is planned by the end of the year.

Pay-per-download is gathering strength, with Listen.com streaming more than 11 million on-demand songs to subscribers in June (more than 350,000 songs per day). Listen.com recently formed new distribution partnership with RealNetworks, offering 79-cent a song downloads (so far, only to U.S. customers) or users can pay a monthly fee to receive unlimited downloads. Their library includes over 25,000 albums, from both major and independent artists.

However, even as paid downloads and (hopefully) the accompanying royalties are put into place, there's the ethical issue of "the album as an art form." Several major artists will not be approving the download of their individual songs, in an effort to protect albums as a cohesive unit. It could be a tough decision for many, especially independent artists who are less focused on "singles", instead writing whole albums with a central theme and intended order. Some say it's a losing battle, though; if songs aren't made available legally, people will go ahead and download them illegally.

Canada is watching U.S. developments with great interest - considering CD sales here at home are down 20% over the last three years. The U.S.'s recent crackdown (with a new bill suggesting a five-year prison sentence plus $250,000 fine) is far more aggressive than the Canadian Recording Industry Association's campaign thus far, which mostly involves an education program aimed at young music fans. CRIA notes that the American measures seem to be working - there's been a large drop in peer-to-peer activity. Later this year, Canadians will have access to Buymusic.com (PC), Apple iTunes and Puretracks.com in order to find legal downloads. As it becomes easier for consumers to find what they want legally, the attraction to using illegal P2P networks should diminish.

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Send Stuff Here

Please note: Publication in this section is not necessarily an endorsement by SRIA. Please use your own discretion.

  • Airplay Opportunity: The Eagle (Swift Current) and Golden West radio stations across the province will be starting a locally produced feature highlighting our province's music. However at this point, they don't have enough Saskatchewan music to get it off the ground! They request all artists with Adult Contemporary product released in the past 2-3 years to forward it as soon as possible. Contact, or send product to, Kim Johnston, Program Director, The Eagle 94-One, Swift Current SK, S9H 0L1; call 306-773-4605 or email eagle941@sasktel.net. (Artists, get on this one! Show them encouragement for supporting Sask. music!)
  • Mainstage Showcase Applications for the 2004 Pacific Contact, March 26 -30th, 2004 are available at www.bctouring.org. Deadline October 15. If you have difficulty opening the PDF file, contact the BCTC office at fyi@bctouring.org. If it's your first time applying to showcase at Pacific Contact and you want to know what it's all about or what to expect, see the archived 2003 and 2002 events also on the BCTC website. The preliminary schedule for Pacific Contact 2004 will be posted to the website in September.
  • 2004 DIY Music Festival, Los Angeles: to be held February 9. Entry fee $25 U.S. The live music event, which teams top independent talent with nationally recognized acts, is part of the DIY Convention: Do It Yourself in Film, Music & Books. Entrants are also eligible to be selected to appear at the ongoing Club DIY showcase series, held on the first Thursday of each month at the Derby nightclub in Los Angeles and at various times in other cities throughout the year. Submissions to the festival must have been released after Jan. 1, 2001 and created using recording equipment and other tools generally available to anyone. Entry forms are available online at www.DIYMusicFestival.com. Individuals entering the contest will be admitted free to the 2004 DIY Convention and Film Festival in Los Angeles. Entrants will also be reviewed by the DIYReporter.com.
  • 4th Annual CMT/CMT.com NSAI Song Contest - win a three-day trip to Nashville including airfare and accommodations, appointments with music publishers and A&R representatives of record labels, an opportunity to perform at the legendary Bluebird Café, an on-air interview on a WSM radio program and a mentoring session with an award-winning songwriter (and many more prizes). All entrants receive a judging report. $5 off if you enter before Sept. 30. Deadline November 29. Entry fee $35 US. Visit www.cmt.com/comm/sweep/nsai/2003/.
  • Alaska's Tundra Trash Radio plays heavy metal, hardcore rock, industrial metal, numetal, stoner rock, heavier alternative rock, etc. (no speed/thrash metal). Contact Alaska's Tundra Trash Radio, Attn: Beth Jobe, PO Box 657, Soldotna, AK 99669 USA, tundratrash@hotmail.com or visit www.tundratrashradio.com.
  • "Airwaves" Contest for indie artists - sponsored by Music Media Network. The winning entry will receive 8 weeks of free professional radio promotion to 50 college and university radio stations across the country. Deadline September 1. See musicmedianetwork.com/airwaves.html.
  • Country Western Corner - contact Ed & Barbara King, Ekingehk@cs.com or www.wingnut.net/ehk.htm. Reviews/ and or artist interviews. Cater to country and gospel music, but also accept R&B, jazz, pop, and Cajun.
  • The John Lennon Songwriting Contest - entries will be judged based upon originality, melody, composition, and lyrics (when applicable). Deadline is September 28. Categories for rock, pop, jazz, world, country, gospel/inspiration, R&B, hip hop, Latin, electronic, folk and children's. Entry fee $30 U.S. Info/entry form, visit www.jlsc.com.
  • Canadian Musician "Showcase" - If you are an unsigned Canadian artist, send them a complete bio, glossy colour photo, cassette/CD, and your contact info. Send complete package to Canadian Musician, 23 Hannover Dr., #7, St. Catharines, ON L2W 1A3.
  • Great American Song 2003 - All entrants receive written evaluations of their songs. Deadline is November 7. Categories for pop/adult contemporary, rock/alt, country, contemporary acoustic/folk, R&B/hip-hop/rap, Christian/gospel, instrumental, special (children's, Christmas, novelty, patriotic, other) and lyrics only. Entry fee $20 U.S. Info and entry, www.GreatAmericanSong.com.
  • Norman Famous Rants and Reviews - www.elsob.net/normanfamous.html. Online reviews of independent CD releases.
  • Unsigned The Magazine - info@unsignedthemagazine.com, www.unsignedthemagazine.com. An online Hip Hop magazine designed to give unsigned artists and labels maximum exposure and support.
  • Evolving Artist - Derek Tremblay derek.tremblay@evolvingartist.com, www.evolvingartist.com. Recording artists interviewed and CD reviews.
  • (Reprint) Cooch Music's 6th Amateur Songwriting Contest. Entry fee $10 US; deadline August 31. Info www.coochmusic.com or info@coochmusic.com.
  • (Reprint) CBC Radio 3 invites artists to join its new music service, RootsMusicCanada.com. This free, non-commercial, internet radio site spotlights and promotes Canadian music in the genres of country, folk, Celtic, bluegrass, Aboriginal, Francophone and world beat. Artists are encouraged to sign up now and become part of Canada's independent roots music community. All music is stream-only (not downloadable by the public) and artists maintain all publishing rights to their original work. For more information on how to get access to this site, or if you have any questions, contact james@cbcr3.com or 604-662-6722.
  • (Reprint) The International Songwriting Competition accepts entries until September 15. $100,000 in cash and prizes. All musicians, bands & solo artists are invited to participate. For info/entry form visit www.songwritingcompetition.com or call 781-306-0441. Categories include: Pop/Top 40; Rock; Country; AAA/Roots/Americana; R&B/Hip-Hop; Blues; Folk/Singer-Songwriter; Jazz; World; Gospel/Christian; Dance/Electronica; Lyrics Only; and Teen. Entry fee $30 U.S.
  • (Reprint) American Songwriter Magazine's Lyric Writing Contest - 6 contests per year. Lyrics only, no cassettes. Winner of each period receive a Martin Sigma DR-1ST guitar. Deadlines September 19 and November 21. Entry fee $10 U.S. Info, www.americansongwriter.com or 615-321-6096.
  • Internet Radio Stations you can submit material to:
  • World Fusion Internet Radio, Submissions@CultureBeyondBorders.com, http://CultureBeyondBorders.com. Plays an eclectic mix of world-influenced music from ambient to industrial. Streams 24/7. Accept submissions for airplay and review, but please restrict to world-influenced music.
  • Independent Country Universe, Mark Bee, markbee@greenmountainmusic.com, www.greenmountainmusic.com. Syndicated show from Boulton Beach Studios playing independent and small label artists. Artists are also promoted on the website and there is a special ‘backpage' site for artists.
  • TE! Radio, radio@tomasianent.com, www.live365.com/stations/tomasianent. A rhythm-oriented station featuring original music by indie artists, as well as dance, pop, R&B, hip-hop, and rhythm oriented rock favorites. Upcoming DJs featured in MixTape show; indie artists in new music showcase.
  • Radio X Chicago, Charles Leet, charles@livexradio.com, www.radioxchicago.com. Independent alternative internet radio.
  • RadioAid.com, Rob Vining robv@radioaid.com, www.RadioAid.com. Original, user-friendly streaming radio, playlists created from a worldwide network of artists.
  • KTCJ, Kenny Love, Producer, kenlove@txucom.net, www.ktcj.com. Diversified format of gospel music - blues, gospel, jazz, hip-hop and R&B music. KTCJ 105.9 FM (Magic 106), 329 N. Converse, Centerville, TX 75833 USA.

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Saskatchewan Indie Releases

DESPISTADO
despistado

Notes: Their long awaited 6-song EP is doing very well. "Intense, eccentric rock" group based in Regina, lately often found on the tour road.

Produced by: Dave Taylor and despistado.
Recorded at: New Music Productions, Regina.
Engineered by: Cary Ciesielski, Pat Andrews, Dave Taylor and Matt Besler.
Mixed by: Cary Ciesielski, Pat Andrews and Dave Taylor.
Mastered by: Pat Andrews and Dave Taylor.
More info: www.despistadomusic.com

B.C. READ
"Live"

Notes: As a follow-up to his critically acclaimed "My Tunes" debut, B.C. has released a dozen live tracks; nine were recorded by CBC during last summer's SaskTel Saskatchewan Jazz Festival, and three at the Mid-Winter Blues Festival 2002.

Produced by: B.C. Read.
CBC Tracks by: Bonnie Austring-Winter producer, Chris Haynes engineer.
Mid-Winter Blues tracks by: Tom Shapiro, engineer.
Engineered and mastered by: Glenn Ens at Audio Art Studios, Saskatoon.
Songwriters: Various, original and traditional.
More info: www.bcread.com

17 SPEEDHEAD
Cotton Candy

Notes: "A three piece, powerful hard rock band with a heavy pop attitude." Brothers Gerald and Maurice Brisson, with Justin Cooney.

Produced by: Carson Cole and 17 Speedhead.
Recorded at: The Coop (Brownfield, AB).
Engineered by: Carson Cole.
Edited by: The Madd Hadder.
Mixed and mastered by: Carson Cole.
Songwriters: 17 Speedhead and Carson Cole, except "Drown" and "Splintered Nights" by 17 Speedhead.
More Info: www.17speedhead.com

SAMUEL THE BLACK SHAMAN
Quivering

Notes: The band describes its objective as "to create an original sound that is also dynamic and passionate, intended to convey their passion for music and the deep emotional release they want fans to feel."

Produced by: Miles Patrick Yohnke.
Recorded and mixed by: Steve Dodd.
Songwriters: Samuel the Black Shaman.
More info: www.saskrecording.ca/artists/bio/Samuel/Samuel.html

KATHRYN HEGAN
The Journey Begins

Notes: Singer/songwriter, multi-instrumentalist Kathryn has been a member of various groups around Regina, and releases her debut, which features "all original material, with various themes and rhythms."
Recorded and mixed by: Ray Bell.
Songwriter: Kathryn Hegan.

MAURICE RICHARD LIBBY.BLUES
homemade

Notes: "Gritty blues with a contemporary sensibility. Searing guitar and passionate vocals. Harmonica, slide guitar, sardonic humour and a deep respect for traditions of the greats who came before..."
Produced and engineered by: Maurice Richard Libby.
Songwriter: Maurice Richard Libby.

FIGHT THE MONSTER
Meat Hotel

Notes: The first release from one of Regina's biggest buzz bands. The trio presents head-on lyrics with a meld of several genres, including folk, rock, and blues.
Produced by: Dave Taylor and Fight The Monster.
Engineered by: Dave Lang and Dave Taylor.
Mixed by: Dave Lang, Dave Taylor and Fight The Monster.
Recorded at: Dave's Bar and Grill, Regina.
Songwriters: Fight the Monster.
More info: www.fightthemonster.com

BOB KING
What can you sing?

Notes: Prolific children's performer Bob King has released his latest album, featuring 14 tracks. This is a fun album with some kid-friendly tunes, but mostly adult-directed material.
Recorded at: Maddock Studios (Winnipeg, MB) and Touchwood Studios, Regina; "Fat Boy" at Norman Dugas Studios (Winnipeg, MB).
Engineered by: Johnny Gasparic and Dave Roman; "Fat Boy" by Norman Dugas.
Songwriter: Bob King (except for two traditional pieces).
More info: www.thenewpaths.com

DOUG CAMPBELL
"Prairie Dog" Doug & Friends

Notes: This whimsical eleven-track album features lots of guest players, and a colourful array of instruments. A family-friendly production.
Produced by: Doug Campbell, Darrell Bueckert and Wes Froese.
Engineered by: Darrell Bueckert.
Recorded, mixed and mastered at: Sea Shell Sound, Saskatoon except "Flying Canoe", which was recorded, engineered and mixed by Ross Nykiforuk at Cosmic Pad Studio, Saskatoon.
Songwriter: Doug Campbell.

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SaskMusic (Saskatchewan Recording Industry Association)
Offices in Regina and Saskatoon
Phone 1-800-347-0676 or (outside Sask.) 306-347-0676
Fax 306-347-7735
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